Posts Tagged ‘Help Desk’

Help Desk: Underrepresentation

Jake & Dinos Chapman. Zygotic acceleration, Biogenetic de-sublimated libidinal model (enlarged x 1000) [1995]; Fiberglass; 150 x 180 x 140 cm.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m an artist with a gallery and I’m stuck in their back room. I’ve been with them a long time. My stuff has a challenging, abstract, unique style, and they pay[…..]

Help Desk: Getting Paid for Curatorial Work

Kerry James Marshall. Portrait of a Curator (In Memory of Beryl Wright), 2009; acrylic on PVC, 30 7/8 x 24 7/8 x 1 7/8 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m a professional curator with over a decade of experience, mostly as a salaried professional. I’d like to be doing more freelance curatorial work, but curators seem to either get paid nothing, absurdly little, or astronomical sums.[…..]

Help Desk: Quid Pro Quo

John Baldessari. Pictures & Scripts: Honey - what words come to mind?, 2015; Diptych: varnished inkjet print on canvas with acrylic paint;108 x 67 1/2 x 1 1/2 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I wear many hats in the art world, one of them as an art critic. Until recently, I have only accepted offers to attend press previews and other pre-public opening events[…..]

From the Archives – Help Desk: Put the Artist First

Rachel Reupke. Still from Letter of Complaint, 2015; color video, 10 min.

Today we look back at an intriguing curatorial question from last year: “Which comes first—the artist or the machine?” Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This article was originally published on March 16, 2015 In the role of writer and curator,[…..]

Help Desk: Why Your Show Wasn’t Reviewed

John Divola. As Far As I Could Get (R02F09), 10 Seconds, 1996-7; pigment print;
60 x 40 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. None of my shows have ever been reviewed, even though I’ve been exhibiting my work in solo and group shows for almost six years. Press releases, personal emails, and newsletters have[…..]

Help Desk: Establishing Installations

Olafur Eliasson. Seu corpo da obra (Your body of work), 2011. Installed at Moderna Museet, Stockholm. Photo: Anders Sune Berg.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. How do I get started as an installation artist? Large, site-specific pieces don’t lend themselves well to collectors, or even to me developing a body of work without knowing what space it[…..]

Help Desk: Critic or Collector?

On Kawara. Paris–New York Drawing no. 144, 1964; Graphite and colored pencil on paper, perforated top edge, 4 9/16 x 18 1/16 in. Photo: David Zwirner, New York/London.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. What are the ethics around a critic collecting art? I want to write a review of a dazzling painting show. While I can’t afford one of the paintings, I would like[…..]