Painting

Scott Greene: Deep State at Catharine Clark Gallery

Scott Greene. Trinitas, 2015; oil on canvas on panel, 50 x 40 in. Courtesy of the Artist and Catharine Clark Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Erica Truong reviews Scott Greene: Deep State at Catharine Clark Gallery in San Francisco. In his fourth solo exhibition with Catharine Clark Gallery, Scott Greene presents a[…..]

Fan Mail: Jwan Yosef

Jwan Yosef. Head, 2013; oil on Perspex; 31 ½ x 24 inches. Courtesy of the artist.

Thank you, Will! Today we celebrate A. Will Brown’s 50th and final Fan Mail column, and wish him farewell as he embarks upon new adventures in his job as the curatorial assistant of contemporary art at the RISD Museum of Art in Providence, Rhode Island! We’ll return in the fall with a new Fan Mail columnist, stay tuned for the announcement. Look closely, what do you see?[…..]

The Failure of Painting at the 56th International Art Exhibition – la Biennale di Venezia

Bruce Nauman. Eat/Death, 1972; neon tubing with clear glass tubing suspension frame; 7 3/8 x 25¼ x 2 1/8 in (18.7 x 64.1 x 5.3 cm). Courtesy of the Artist and la Biennale di Venezia. Photo taken by the author.

Context grounds contemporary art, and placing a work into a different framework allows for new layers of understanding to be revealed. This year’s Venice Biennale illustrates this point perfectly with one of the most cohesive curatorial efforts in its 120-year history. Thanks to curator Okwui Enwezor‘s creation of three overlapping “filters” that he calls the Garden of Disorder, Liveness: On Epic Duration, and Reading Capital,[…..]

After Utopia at the Singapore Art Museum

Shen Shaomin. Summit (detail) silica gel simulation, acrylic and fabric, dimensions variable, Singapore Art Museum collection, image courtesy Singapore Art Museum

After Utopia: Revisiting the Ideal in Asian Contemporary Art at the Singapore Art Museum (SAM) explores the dissonance between our innermost longings and the contemporary world we have created. Gunter Grass said, rather gloomily, that melancholy and utopia are heads and tails of the same coin. Imagining perfection, we confront the contradiction between the Arcadia of our imagination and the imperfect realities of our everyday. Featuring eighteen[…..]

2BENAMED at Naming Gallery in Oakland

Art Party Collective.  2BENAMED, installation view, 2015;  Courtesy of the Artists and Naming Gallery. Photo: Wilson Linker and Lisa Aurora.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Takeema Hoffman reviews 2BENAMED at Naming Gallery in Oakland.  2BENAMED, an exhibition currently at Naming Gallery in the heart of downtown Oakland, is an electrifying showcase of[…..]

Fan Mail: John Tierney

John Tierney. Elvis is on the Building, Palm Springs, 2013; oil on canvas; 20 x 16 inches. Courtesy of the artist.

John Tierney’s paintings have a distinct relationship to cinema. Hollywood, California, and the greater Los Angeles area are awash in a rich and intense light that seems to linger over everything with an endless glow, a light as potent as the dreams and realities of fame and stardom promised by the movie companies that populate the city. For a representational painter such as Tierney, the[…..]

Help Desk: Selling Out

Installation view: Tony Conrad. Two Degrees of Separation, Kunsthalle Wien 2014, Photo: Stephan Wyckoff: Grommet Horn, ca. 1970, Replik 2014, Courtesy the artist and Galerie Buchholz, Berlin/Cologne

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I am a painter who rarely makes any money directly from my work. Recently a design firm approached me about a project that involves artists painting on small refrigerators from which energy drinks will[…..]