Painting

From the Archives – David Schutter: What Is Not Clear Is Not French at Rhona Hoffman Gallery

David Schutter, L LB dc 59, 2011-2014; chalk and crayon on paper; 13.375 x 9.375 inches. Courtesy Rhona Hoffman Gallery.

The 2015 Rome Prize winners include artists Mark Boulos, Emily Jacir, Senam Okudzeto, and David Schutter, and today from our archives we bring you a review of Schutter’s last show at Rhona Hoffman Gallery in Chicago. Author Steve Ruiz notes, “The strongest tension in David Schutter’s paintings is between their historical referents and their contemporary interpretation.” This article was originally published on May 28, 2014. At first appearance,[…..]

Todd McDonald: Visual Feedback at Redux Contemporary Art Center

Todd McDonald. Go In to Get Out, 2014; oil on panel; 48 x 72 inches. Courtesy of the artist.

The gesture which we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. It shall simply be the dynamic sensation itself. — Umberto Boccioni, et al, 1910 Todd McDonald’s Visual Feedback at Redux Contemporary Art Center addresses new modes of processing and viewing digital images as part of a painting practice. McDonald collects photographs of architectural elements and urban landscapes in[…..]

Tomokazu Matsuyama: Come With Me at Gallery Wendi Norris

Tomokazu Matsuyama. Warm Water, 2015; acrylic and mixed media on canvas; 67 x 104 in. Courtesy of the Artist and Gallery Wendi Norris, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Forrest McGarvey reviews Tomokazu Matsuyama’s Come with Me at Gallery Wendi Norris in San Francisco. In Come With Me, Japanese American artist Tomokazu[…..]

Hayv Kahraman: How Iraqi Are You? at Jack Shainman

Hayv Kahraman. Barboog, 2014; oil on linen; 108 x 72 in.©Hayv Kahraman. Courtesy of the artist and Jack Shainman Gallery, New York.

Hayv Kahraman’s current solo exhibition at Jack Shainman, How Iraqi Are You?, is captivating. A suite of large paintings, produced in 2014 and 2015, show pairs and groups of women in patterned garments interacting with each other in minimal settings. Context is provided by simple architectural forms, and by Arabic script that appears under or alongside the figures. Text from the gallery explains that the works[…..]

Linear Abstraction at the SCAD Museum of Art

Phillip Stearns. Linear Abstraction, 2015; installation view. Gutstein Gallery, Savannah College of Art and Design, Savannah, Georgia. Courtesy of the Savannah College of Art and Design. Photo: Marc Newton.

Abstraction is dead! Long live abstraction! In Linear Abstraction, the SCAD Museum of Art negotiates the status of nonrepresentational work as it exists in the 21st century and includes work in various media, including painting, sculpture, photography, and digital formats. While the exhibition seeks to trace commonalities between contemporary practices by engaging somewhat diverse uses or ideas of lines, the resulting effect points succinctly to[…..]

Jake Longstreth: Free Range at Gregory Lind Gallery

Jake Longstreth. Free Range, 2014; Oil on canvas in artist frame, 60 x 40 in.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Miguel Arzabe reviews Jake Longstreth: Free Range at Gregory Lind Gallery in San Francisco. For urban dwellers with the means and motivation to leave the city in[…..]

Shaping Abstraction at the de Young Museum in San Francisco

Oskar Fischinger. Rhythmic Tapestry, 1952; oil on canvas; 17 1/4 x 22 1/8 in. Courtesy of the Harriet and Maurice Gregg Collection of American Abstract Art and the Fine Arts Museums of San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Emily Swaim reviews Shaping Abstraction at the de Young Museum in San Francisco, California. Full disclosure—I have embarrassingly little education in abstract art. In fact, I chose[…..]