Sound Art

Nobuo Kubota: Sonic Scores at YYZ Artists Outlet

Schwoop. Bap. Tschk-tschk. Dom. Dung. No, the start to this review isn’t full of typos; it’s my attempt at onomatopoeia to capture the sounds that greet viewers at Nobuo Kubota’s YYZ exhibit Sonic Scores. Kubota is a Canadian multimedia artist who often uses sound in his work. His practice is inspired by an interest in jazz and Zen Buddhism, and Sonic Scores presents elements attributed[…..]

If the World Changed: Singapore Biennale 2013

Teamlab. Peace Can Be Realized Even Without Order, 2012; interactive digital installation; dimensions variable. Courtesy of the Artist and Singapore Art Museum.

Premised on the obliquely hypothetical question “What if the world changed?”, the Singapore Biennale 2013 (SB2013) is presented as a deconstructed entity centered on allusive keywords—or “tags” in internetspeak—such as “histories,” “intervention,” and “materiality” in order to highlight the transmutative and the transformative qualities of the art produced in the region. With a collaborative team of 27 curators instead of an artistic director helming the show,[…..]

Richard T. Walker at Kadist San Francisco

Today we bring you a video excerpt of Richard T. Walker‘s recent performance the security of impossibility, part of the Summer Music Series at Kadist San Francisco. Originally performed on July 10, 2013, the security is composed of layered harmonies, live and recorded music, multiple projections, and participant-operated tape players.

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Kenneth Goldsmith, Soliloquy, 1996.

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[…..]

#Hashtags: Photographing the Invisible: LaToya Ruby Frazier at Brooklyn Museum

Huxtables, Mom, and Me

#visibility #labor #institutions #class #race #access Photographer LaToya Ruby Frazier makes her New York solo debut with A Haunted Capital, a tightly crafted, personal-is-political installation at the Brooklyn Museum. The artist’s hometown of Braddock, a forgotten steel mill town in Allegheny County, Pennsylvania, is marked by a geography of postindustrial degradation. An outsider might take a social documentary approach to Braddock’s history and current woes. As an insider, Frazier documents that[…..]

Organism/Mechanism: Michael Theodore at David B. Smith Gallery

Michael Theodore, endo/exo (2013), installation view, dimensions variable, courtesy of David B. Smith Gallery and the artist.

When you enter your local supermarket, the door will most likely slide open automatically, welcoming you as it senses your presence. There’s nothing remarkable about that, you’re accustomed to the simple technology of motion sensors. What is remarkable is that technological fixtures such as motion sensors have become so ubiquitous that we scarcely notice them anymore. They are a part of your daily routine, a[…..]

Loving Memory – Mike Kelley

For the Stedelijk Museum in Amsterdam to choose a retrospective of Mike Kelley‘s work for their first international exhibition since the reopening was, to say the least, symbolic. The Stedelijk opened its newly refurbished and expanded premises in September last year, after years (and years) of highly controversial and heavily debated refurbishments. The enormous white bath tub that is now hovering in front of the institution’s old[…..]